Volltextsuche nutzen
- versandkostenfrei ab € 30,–
- 6x in Wien und Salzburg
- 6 Mio. Bücher
- facultas
- Detailansicht
![Rembrandt](https://static.buchmedia.at/media/9788892548220/cover-md.jpg)
![Overlay E-book Reader Overlay E-Book Reader](https://static.buchmedia.at/img/overlays/overlay-ebook3-md.png)
Rembrandt
![Rembrandt](https://static.buchmedia.at/media/9788892548220/cover-md.jpg)
![Overlay E-book Reader Overlay E-Book Reader](https://static.buchmedia.at/img/overlays/overlay-ebook3-md.png)
E-Book (EPUB)
2,99€
inkl. gesetzl. MwSt.
EPUB sofort downloaden
Downloads sind nur in Österreich möglich!
Leitfaden zu E-Books
Downloads sind nur in Österreich möglich!
Leitfaden zu E-Books
In den Warenkorb
Click & Collect
Artikel online bestellen und in der Filiale abholen.
Derzeit in keiner facultas Filiale lagernd. Jetzt online bestellen!Artikel online bestellen und in der Filiale abholen.
Artikel in den Warenkorb legen, zur Kassa gehen und Wunschfiliale auswählen. Lieferung abholen und bequem vor Ort bezahlen.
Auf die Merkliste
Veröffentlicht 2016, von Mortimer Menpes bei Mortimer Menpes
ISBN: 978-88-925482-2-0
Although I am familiar with Rembrandt's work, through photographs and black and white reproductions, I invariably experience a shock from the colour standpoint whenever I come in touch with one of his pictures. I was especially struck with that masterpiece of his at the Hermitage, called the Slav Prince, which, by the way, I am convinced is a portrait of himself; any one who has had the idea ...
Beschreibung
Although I am familiar with Rembrandt's work, through photographs and black and white reproductions, I invariably experience a shock from the colour standpoint whenever I come in touch with one of his pictures. I was especially struck with that masterpiece of his at the Hermitage, called the Slav Prince, which, by the way, I am convinced is a portrait of himself; any one who has had the idea suggested cannot doubt it for a moment; it is Rembrandt's own face without question. The reproductions I have seen of this picture, and, in fact, of all Rembrandt's works, are so poor and so unsatisfactory that I was determined, after my visit to St. Petersburg, to devise a means by which facsimile reproductions in colour of Rembrandt's pictures could be set before the public. The black and white reproductions and the photographs I put on one side at once, because of the impossibility of suggesting colour thereby.
Although I am familiar with Rembrandt's work, through photographs and black and white reproductions, I invariably experience a shock from the colour standpoint whenever I come in touch with one of his pictures. I was especially struck with that masterpiece of his at the Hermitage, called the Slav Prince, which, by the way, I am convinced is a portrait of himself; any one who has had the idea suggested cannot doubt it for a moment; it is Rembrandt's own face without question. The reproductions I have seen of this picture, and, in fact, of all Rembrandt's works, are so poor and so unsatisfactory that I was determined, after my visit to St. Petersburg, to devise a means by which facsimile reproductions in colour of Rembrandt's pictures could be set before the public. The black and white reproductions and the photographs I put on one side at once, because of the impossibility of suggesting colour thereby.